Orphan Works: Risking Our Nation’s Copyright Wealth

With some organizations like The Graphic Artist's Guild emailing artists that they support the Orphan Works bill over 70 organizations have a much different opinion. If you have not read this following email please do since it asks some very important and not yet answered questions.
Also if you have not seen this blog link below please check it out. It looks into ASMP, agendas and issues concerning Orphan Works. Remember that GAG has asked that ASMP speak to congress on behalf of all artists.

Blog Link: http://photobusinessforum.blogspot.com/2008/09/asmp-orphan-works-and-agendas.html




TUESDAY, SEPTEMBER 23, 2008 From The Illustrators' Partnership of America

Orphan Works: Risking Our Nation’s Copyright Wealth

Is it wise to concentrate our nations’ copyright wealth in the hands of a few corporate databases? With the meltdown on Wall Street, this might be a good time to ask Congress that question.

The Orphan Works bill would pressure copyright holders to subsidize the start ups of giant commercial databases. The contents of these databases would be more valuable than secure banking information. Yet who can watch the ongoing failure of investment banks that were “too big to fail’ without asking why government should want to create these privately owned image banks on the backs of small business owners who neither want nor need them. Here are some of the questions we’ve raised before about this bad legislative scheme:

• Who’s to be trusted with these databases?
• Who’s to manage them and in whose best interests?
• What happens when a database is hacked?
• What happens when one fails?
• What happens when one is acquired?
• What happens when the terms of service are changed?
• What happens when registration fees become prohibitive?
• What happens when maintenance fees are piled on?
• What happens when exorbitant commissions are imposed?
• What happens to artists who can’t afford to register?
• What happens when registered artists can’t afford to maintain their registrations?
• Will artists have to register their immense bodies of work in competing registries?
• What happens to your business when your clients start calling the databases, not you, to clear rights to your work?
• Why should small business owners be forced to entrust their business information to outside business interests?

In an excellent statement prepared for the Small Business Roundtable, August 8, 2008, David Rhodes, President of the School of Visual Arts said this:

“[S]ince the expense of registering works [with these for-profit databases] will be born by the creative community, the expense of copyright protection will be socialized while the profit of creative endeavors will be privatized.”

Sound familiar? As we watch CEOs with Golden Parachutes bail out of investment banks and the government saddles taxpayers with the financial burden of propping them up, we should remind Congress that the true definition of capitalism is not a lot of big businesses trying to gobble each other up or maximize profits by cutting corners. True capitalism is a lot of small business owners taking responsibility for their own decisions and accepting responsibility for their own failures. As David Rhodes went on to say:

“Copyright protection may have impeded the creation of ever-larger image banks, but that is not a problem - that is the purpose of Copyright. In short there is no problem that this legislation will fix. Therefore, prudence dictates that nothing be done.”

– Brad Holland and Cynthia Turner, for the Board of the Illustrators’ Partnership
POSTED BY ILLUSTRATORS' PARTNERSHIP AT 9:49 PM